VEHICLE AND PROPS DESIGN - PRODUCTION

TAN YING YI / 0362425 / BACHELOR OF DESIGN (HONS) IN CREATIVE MEDIA
VEHICLE AND PROPS DESIGN
PRODUCTION

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INSTRUCTIONS

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PRODUCTION

INSTRUCTIONS

We are to continue developing our vehicle design from project 1. Pick one of our vehicle and props concept to be extended with design application that communicates well and appeal to the target audiences. Here we have to showcase our development process. Process includes:

1. Thumbnails (Vehicle and Props Breakdowns)
2. Value Studies
3. Color Studies
4. Textures

Output 16:9 1920 + Illustrations compiled in pdf format.

IDEATION AND VALUE STUDIES

Fig 1.1 Ideation

The idea of interior is acceptable but cannot draw like this. I used ZBrush to model it so that I can understand the space deeper.

Fig 1.2 Variation and Interior Idea

Fig 1.3 Colour Studies

Fig 1.4 Colour Adjusted

Fig 1.5 Interior Sketches (Rejected)

MODELING

I have tried some compositions to see which angle is better to show my design.

Fig 2.1 Angle 1 (Need to be Closer)

Fig 2.2 Angle 2 (Need to be Closer)

Fig 2.3 Angle 3 (Can use this as the base)

Fig 2.4 Interior (Need to Add Details)

FINAL

Fig 3.1 Interior (With Notes)

Fig 3.1 Interior (Without Notes)

Fig 3.2 Exterior with Three View

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FEEDBACK

Week 9: Must have the rough colour first. Don't make it too flat. Take a look at others artwork as reference.

Week 10: Not so colourful, reduce the saturation. Adjust the value and refine the details.

Week 11: Built from the idea before.

Week 12: Since it's a high-tech tank, don't need window.

Week 14: Smoothen the chair and the rod, don't just leave it. Don't squash the speaker,there are distortion.

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REFLECTION

During the process of this assignment, I gained a better understanding of how to draw value and space. My knowledge of color also advanced further. I tried some textures, but they didn't seem suitable, so I didn't include them. The shell of my tank is made of thick metal, which doesn't reflect much light. I feel that I still need to practice perspective more because sometimes, when the shape or angle changes, I struggle with drawing it.